Authors’ Rights and Copyright
The Law always safeguards (and protects) the product of human creativity, as long as it possesses an appropriate creative capacity and is in tangible form.
Unlike trademarks and patents, authorial copyright does not require any filing for the establishment of the right and therefore for its protection. It is however imperative to always keep evidence of the creation of the work, otherwise the authorship right and the exclusive economic exploitation right related to it are both jeopardised.Music, literature, drawing… Although there is no exhaustive list of work genres to refer to, it is always a good idea to plan a responsible legal protection strategy, tailored to suit the creative creation.
Do you want to receive now a personalized quote? Click on the “CALCULATE A QUOTE” button below. Answer a few simple questions and you’ll get a quote in less than two minutes.
Our special services dedicated to this practice area are:
Italian Authors’ Rights is mainly governed by Law no. 633 of 22 April 1941 and Title IX of the Italian Civil Code; however, there is not a list of works or absolute categories to refer to. The following can certainly be taken into consideration: Texts, Publishing, Photography, Music, Novels, Screenplays, Stylistic Design, Literature, Movies, Television, Presentations, Formats, Websites.
Article 2 of the Italian Authors’ Rights provides a list of works eligible for protection. Unfortunately, this is only an approximative list and, for this reason, we rephrase it below:
- literature: literary, dramatic, scientific, educational and religious works; both in written and oral form;
- music: musical works and compositions (with or without lyrics), dramatic-musical works and musical variations (provided they are original works themselves);
- figurative arts: sculptures, paintings, drawings, engravings or works belonging to similar figurative arts, including scenography;
- architecture: architectural drawings and constructions;
- theatre: choreographic and pantomime works (with or without a script);
- cinematography: cinematographic works (silent or with sound), photographic works;
- industrial design: works possessing artistic and creative value.
In addition, so-called “creative elaborations”, such as translations into another language, transformations from one literary or artistic form into another, adaptations, reductions, etc., are also protected. Following the implementation of Directives 96/9/EC and 91/250/EEC, computer programs and databases are also included in the list.
Authors’ Rights and Copyright
Interference and plagiarism cases
Contract drafting and negotiation assistance
Legal proceedings for counterfeiting, infringement, usurpation and vindication claims
Payment recovery and/or compensation for damages
Software registration with SIA (Italian Society of Authors and Publishers)
Do you want to receive now a personalized quote? Click on the “CALCULATE A QUOTE” button below. Answer a few simple questions and you’ll get a quote in less than two minutes.

When a work has multiple rights holders, who decides how it can be exploited?
When the economic exploitation rights in a copyright-protected work belong to more than one person, must everyone agree before distribution rights can be granted to [...]

Plagiarism in art: when can a gallery also be held liable, and what harm can a foundation suffer?
Imitating an artist’s style is not, in itself, enough to constitute plagiarism: copyright protects the creative form of specific works, not ideas, techniques or artistic [...]

Can heirs take action against a fake work attributed to a deceased artist? (Italian Supreme Court, Civil Section, No. 15821/2026)
When a work is falsely attributed to a deceased artist, can the heirs or other family members ask a court to establish that it is [...]

Can a work be published online if it is in the public domain only in certain countries?
A work may be in the public domain in one country while still protected by copyright in another. Putting it online therefore does not necessarily [...]

Should Facebook pay newspapers? Fair compensation after the Meta–AGCOM Judgment
News costs money to produce and has value for those who distribute it online. In the Meta–AGCOM judgment, the Court of Justice of the European [...]

Law 104 leave between annual leave and sick leave: caregiving purpose, holidays and the risk of abuse
The paid leave provided for under Law No. 104/1992 allows employees to be absent from work for needs connected with their own disability or to [...]

Copyright and the dual-track sanctions system: limits on combining criminal and administrative penalties (Supreme Sourt No. 15440/2026)
Can the same copyright infringement be punished twice? A recent decision of the Italian Supreme Court, No. 15440/2026, provides an opportunity to revisit a particularly [...]

Employee recording workplace conversations: when it is lawful and what the employer can do
Is it lawful to record workplace conversations? May an employee record a meeting, a discussion with their manager, or a conversation with colleagues without informing [...]

The half-million-euro mistake: the case of the incorrectly dated painting
How much is a work of art worth? The factors that determine price are certainly many, from the signature to the dimensions of the piece, [...]

International circulation of works of art: what changes with Law No. 40/2026
Law No. 40 of 17 March 2026 amends several provisions of the Cultural Heritage Code concerning the circulation, enhancement and management of works of art. [...]

Google vs. Hindware: trademark bidding and the cost of defending your brand
Using another party’s trademark as an advertising keyword is not generally prohibited under European law, but it can become unlawful when it impairs the trademark’s [...]

The right to be forgotten and Google delisting: when is compensation for damage available? Italian Supreme Court No. 6433/2026
Does an infringement of the “right to be forgotten” automatically give rise to a claim for damages? In its decision No. 6433 of 18 March [...]